A new addition to the Enter the Brick Series.
week #3
At Flickr I am limited to 1000 photos, so I’ll have to delete more than half of my photos asap. So showcasing the series actually only here and at Insta.
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Copweb
2017
3,3 x 9,8 x 5,6 cm
plastic bricks, photography
Another addition to the Enter the Brick series.
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Architectural Archery, 2020
Plastic bricks
9.6 x 5.6 x 4.8 cm
Your support from the previous project, the Alakuneda Think Tank, encouraged me to make a brick-i-fied rendition of the Jigabachi seen at the Ghost in the Shell S.A.C. II animated series alongside the building instructions.
Type: Assault helicopter
Class: aerial robotics weapons platform, semi autonomous pilot/AI controlled
Estimated real life size: TBD
Manufacturer: Kenbishi Industries
Weapons:
The model features
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The model, including the stand, contains of 789 parts. All parts should be widespread available, no rare parts as far as I can oversee.
The 59-paged high-quality instructions are for sale and available on demand, just shoot me a [mail].
And a little peak into the process and the quality you can expect.
A new interpretation from the Enter the Brick series.
From Green to Red, 2020
Plastic bricks & glue
13.1 x 16.1 x 7.5 cm
Hello Friends and anyone interested,
haven’t posted much lately as I have been busy as hell. Now I have a few days off and finally manage to get a few things done. Like further developing my work space. Here’s a shot of something old but fresh shot from the new installed photo corner.
I wish you all a blessed season and all the good for the forthcoming time!
Last month I had the opportunity to show some of my street art related stuff at the fantastic Turbo Urban exhibition.
Here are a few impressions.
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Riding the edges of night town with a speeder bike.
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A trophy I built for the 10th anniversary LSB speeder bike contest.
Enjoying fresh colors inna mecha style!
Pretty happy with the frame. Although it features the small ball joints I managed to make it more stable than other models at the same size with the same small ball joints. Also the abdomen has a crazy joint mechanism, making it max posable 😀
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…so now we can finally kick off the results of our collaboration work.
Some time ago Shobrick and I collaborated for this project. Shobrick is a great photographer and director. After an introduction by Nicolas Forsans, Shobrick got in touch with me. He sent me a few images and asked if I can make a mech for a scene he had in mind. Somewhere between Shirow and Kojima. He told me about the setting and stuff, so I could get the vibe and the direction he was heading to.
After a few versions this 6-legged walker tank | Hexapod was finally designed. You can find the stand-alone images of the tank and building notes further down >>>. After attaching some decals to it, the Hexapod was sent to Shobrick.
Shobrick then did his magic. He gathered his crew of set designers (Paul de Laroche, Frédéric Mercier and his son Anton) and other great people help designing, creating and staging the setting. This was great to follow along while the ruins started developing with other details such as the neon signs and billboards. Once the setting was developed Shobrick took the photos at at an impressible high end performance.
And the result is breath-taking!
For more information on the production process make sure to check out Shobrick – Flickr | Insta | Homepage
For Shobrick this was his last project with the bricks for now as he wants to further follow his path of being a film director. I am proud to have been able to work with him.
Enough foreword, without further ado here comes the show:
– image credits and copyright by Shobrick –
And the making-of videos: 1|2|3|4
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-Building Notes-
The model needed dynamic posing alongside articulation combined with a plausible and aesthetic pleasing design. Getting the right balance between form and function was the leading light for this build.
The first inspiration led to a direction with a dog or animal like mech. Taking a different direction, the former body was replaced by the Hexapod design later on. Only the head and the color scheme were adopted from the prior version. One reason was that there to be some kind of heavy artillery as it should be a designated war machine, staged in combat scenes. This and a plausible, functional design with ‘play’ features directed the frame to be highly articulated and moveable. The special play feature is the rotating weapons platform which in reverse direction can snug together with the head, giving it a compact and heavy armored feeling. Once rotated the cannon moves into action. Two weapon slots on the front legs allow close range combat, 8 launchers attached to the sides of the platform allow additional performance.
The final image series have been published in the Geek magazine S09E03
Exclusive online coverage by The Brothers Brick
